Reach for the lazers...


Meet Danalog, Africa's first producer to be signed to Anjunadeep.


The following article is a very emotional one for us here at Deep Fried Decks.

This is the story of the coming of age of a gifted producer. This is the story of a mate of ours realising his dreams. This is the story of reaching high for your dreams whilst still staying grounded and humble. This is about putting all your creative energy into something (which may never work out) whilst fighting off the many frustrations, hurdles and rejections life will throw at you.

This is a rare story.

Part three of our feature on "Five producers to watch out for in 2014" sees us donning the spotlight (and rightly so) on one of South Africa's best producers. Danalog has recently been signed up by Anjunadeep and Jody Wisternoff's remix of his track "Click, Search" will be featured on Anjunadeep 06, the label's annual compilation.

History has been made as he has become the first African producer to be signed to the immensely popular label - Anjunadeep 05 rose to number 1 on the US and Indian iTunes Dance chart in a matter of days last year. Danalog now finds himself representing Africa amongst some juggernauts of electronic music such as Dusky, Lane 8 (we were his first interview before he shot up to global stardom), 16 Bit Lolitas and Jody Wisternoff. This is kind of a big deal. Bigger than Randy Marsh's balls in that South Park episode.

We predict many a great things for Danalog as not only is he extremely gifted but he is also one of the most genuine and humble people we've gotten to know over the last two years or so. The next year or so will see this gent blow up on an international scale - we'll bet our left nut(s) on it.

DFD head chef Art Bam caught up with Danalog recently for an exclusive Deep Fried Decks interview which we've included below. We've also put up the Anjunadeep 06 promo video as well as the respective mix. To hear Danalog's track you can pre-order the album via this link. Enjoy.

Exclusive Deep Fried Decks interview with Danalog:

Hey Dan, thanks for taking the time out to catch up with us. I can still recall having you as one of our first interviews and the exclusive DFD mix you did for us almost two years ago. It’s amazing what has happened since then. You’re about to embark on an exciting new chapter in your musical career.

Before we get to the meat of the sandwich, you spent some time in London recently. What were you up to over there?

Yeah, I was in London & Paris for the last month or so and I just got back.
My brother lives there with his wife & kid, so I went to go visit and hang out for a while. It was more a trip to get out of town and have a brain refresh.

I really just wanted to explore and experience the vibe of the city and the people in it, rather than just partying the month away...although there is an incredible music and arts scene there. I have big love for London, it's not for everyone, but there's definitely something very special about that city. Whatever you are interested in is there and happening! For me, there's something really inspiring and refreshing about that.

After months of secrecy the cat is finally out the bag: Jody Wisternoff’s remix of your track “Click, Search” is going to be gracing the new Anjunadeep 06 compilation. This has been giving us goosebumps for a while now. Can you tell us how you got noticed by the guys at Anjunadeep?

Well, it's really funny you ask that... ;)

To be completely honest, I was totally unaware of Anjunadeep and what they were representing and releasing. As for Jody, I was always familiar with his music and what he did with Nick Warren in Way Out West, etc. It was only really when I got chatting to DFD boss man, Art Bam, that he told me about Anjunadeep and his connection with Jody & the label and insisted I send him some demos to forward through to them.

So I thought "What the hell" and sent Art an early version of "Click, Search". A few weeks later I got a lil' email in my inbox from Dom (Anjunadeep A&R) telling me that they are keen to sign it and the rest kind of just happened; Jody got in touch with me and we've been chatting ever since. He really is a 100% solid oke - just a top class, friendly, genuine guy and it was such a pleasure letting him remix this track. So, thanks for the hookup Art! ;)

Anjunadeep is a label with a plethora of some of the best melodic deep house producers in the world at the moment. How does it feel to be the first South African (and African, if Im not mistaken) producer on an international compilation - which reached number 1 on the US and Indian iTunes chart last year - with acts such as Dusky, Tom Middleton, Lane 8, Lancelot, Leftwing & Kody and of course Jody Wisternoff beside you?

Well it's about fucking time, innit! ;)

Nah, what can I say, it's great to have my name in there with these top class artists, and all it means is I have to work that much harder to keep my foot in that door. I've had a lil' peek into some of the tracks and there is some quality in there!

The label decided to have Jody's remix in the compilation as the vibe of it made more sense within the mix, but the original will be getting released as an EP in the next few months with perhaps some other lil' goodies I'm working on.

Tell us about “Click, Search”. What was the thinking behind the name of the track? It’s been a long time in the making. Was it a serendipitous case of an artist never being satisfied with his/her work and that then unexpectedly paving the way for Jody and yourself to realise something more than what the track initially started out as?

Well, the name "Click, Search" came from me just feeling emotional one day and thinking up some profound name that ended up just sticking. It kinda suits the tune right? :)

The track was written with the intention of keeping it pure and simple. I wanted to create a tune that could catch one's attention without being too instrusive. so I left out all the bells & whistles (there are literally no bells or whistles in this tune) and just went with it.

It has indeed been a looooong time in the making though. Version 1 was written 2 years ago! The one getting released I think is version 87, haha! But all changes aside, the original idea stayed the same.

I think what maybe caught Jody's ear to remix it was the simplicity of it and he really could take it any which direction he wanted to go. I really loved the end result he came up with. He gave the remix a really fresh atmosphere and groove, with a little dose of trippiness which I always enjoy, but still stuck to the original idea and mood.
I also found his approach to the remixing process really cool. Instead of just taking the parts I sent him, he wanted to know about every individual sound and melody and reproduced a lot of the sounds from scratch. A true pro.

You’ve been spending a lot of time in the studio lately. I’ve been lucky enough to hear little snippets of the beauties you are working on. They really are majestic. More importantly, they are pretty different (more ambient, eclectic and deeper) from what you’d been producing up until a year ago. Capetonian clubbers know your DJ performances as mainly techno and boogie driven sets, with a sprinkling of “some of this funky stuff” in-between. Are you trying out a new sound for your own production as a result of going deeper with Anjunadeep [see what I did there]?

Yes, my sound over the last 2 years has changed direction quite a bit. I moved away from trying to produce techno bombs and this happened purely because I just got so bored of writing music for the dance floor. I have thrown away a lot of interesting projects in the past, purely because I knew I (or most DJ's) would NEVER play them out. This began to really frustrate me and stunt my inspiration as an artist so I decided, "Fuck it. I'm gonna just write what I feel like writing and see where it all goes".

It's weird because lately I hear people calling some of my new stuff "deep house". The funny thing is, I've never been much of a deep house fan. I like it...but I can't say I'm a 'fan' so it's a little odd for me but what is deep house anyway these days? The purists probably want to kill me for saying that.

At the end of the day I try not to label my stuff too much and just write what I feel like without thinking about what box it will get placed into.

I'm always exploring and pushing where I'm going with my sound. My newer tunes are definitely more eclectic, which I'm loving as it keeps my ideas more open and fresh. I'm trying to let my music rely more on how and what it feels to someone, rather than how powerful the build up and drop is.

When I DJ, it's all about the dance floor and I love mixing all different styles including House, techno, deep house etc. This all depends on the event, crowd and time slot of course.

When it comes to my own productions, I like to think of my creations as dance music you can listen to...or listening music you can dance to; you choose. :)

Regarding the above, where do you source most of your inspiration from? Are you collaborating with fellow musicians to find ideas which work or are you also finding inspiration from other acts?

My inspiration is sourced from all corners of the musical spectrum.

I really do have a very broad, sometimes strange and embarrassing taste in music. Everything from hip hop, UK garage, ambient, funk, pop and classical. I have a serious weakness for 90's hits. The list never ends! I think this variety in taste really shows in my work, or at least I think so.

I actually rarely listen to techno and house unless I'm checking out new & old tunes to play for a gig. Lately I've been going through a serious Fourtet phase that guy!

As far as working with fellow local artists, I guess I'm quite fussy. I've had a few little sessions with friends here and there but nothing has really come of it. From the local artists, there's this band I really like called The Aztec Sapphire. Their sound is really up my alley and I would love to work with them but they never reply to my damn Facebook messages! So if by some crazy chance you okes are reading this, please get hold of me! :) I also really dig what the Crazy White Boy guys are doing and Ryan Murgatroyd's solo stuff is ace.

Are there any Anjunadeep artists whose tunes, for you, exude the deep fried goodness?

I dig some of Lane8's stuff, he seems to be Anjunadeep golden boy at the moment, and rightfully so...and 16bit Lolitas, of course. :)

Lastly, what does the rest of 2014 and early 2015 hold for Danalog?

More music & more exploring where I belong within my music. It's important for me to establish myself as a full time producer, and I don't mean only as Danalog.

I'm really interested in working on different projects with other artists, vocalists, bands, any artists who are in need of a producer to make their music come to life and are open to a more electronic sound and getting creative with it.

My dream was never to be a famous DJ making heart shapes at the crowd. My dream was always to be in my studio making music, doing what I love and calling it my job. Producing always came first. So the rest of the year will most likely see me still chasing that dream, with loads of new music in between.


You can check out Danalog's facebook page here and his Soundcloud here.

Anjunadeep 06 is out on the 8th of September. Pre-order it here.





For the last two years or so we've noticed a label consistenly popping up all over various Tech and Deep House charts, with various popular releases under its belt. Suara, run by Spanish producer Coyu, is quickly making a name for itself as an impressive presence in the Tech and House scene - emphasised by some of the great artists affiliated with it; Tube & Berger, Sonic Future (who are a great act to keep an eye out for), Leftwing & Kody, Edu Imbernon, Sonny Fodera, Hot Since 82 and many more. In fact our DFD Head Chef still plays one of Suara's older releases, "In Your Box" by D-Nox & Beckers whenever he gets the chance.

We really love the variety Suara exudes, with releases ranging from melodic, deep and measured House all the way to more jacking Tech and dark Techno...all the time maintaining a signature level of maturity for seasoned ears.

What's even better is the fact that this label is great for lovers of pussy. No, we're not talking about testosterone-driven dudes or any sort of bonus porn videos you might receive with every track purchased on Beatport (imagine that!). This is a label for cat lovers. All of their releases have awesome stylised close ups of cats. Even their social media content on Facebook focusses around these special creatures blessed with nine lives (and sometimes way more intelligence than some humans).

Enjoy the aural goodness below and don't forget to reach for the catnip. ;)




We've been following Pat Lok and his infectious beats for a while now...about two years in fact. His earlier aural treats on Soundcloud, such as "Remember" and Bit Funk's remix of "Yes Game", actually formed part of a core of Nu Disco influence behind Deep Fried Decks' inception. The rest of that nucleus included the likes of the aforementioned Bit Funk, Todd Terje, Lifelike and Chris Malinchak.

It's EXTREMELY hard to find quality Nu Disco online. We're talking about Mike Tyson trying to pronounce "Mississippi" perfectly kind of hard. Just take Beatport for example; try browsing through their "Nu Disco Top 100" chart and you will find a plethora of Blue Danish cheese following generic synth bass lines, with overly generous scatterings of G-House (God alone knows what this genre is doing in that chart). The above results in a combination of limited vocals and cheesy beats, backed by some of the most monotonous and predictable (and usually unoriginal) 'rapping' known to man. It's like having your ears rick rolled and gang-banged (We're not bashing the G-House genre, just saying that 98% of it is unoriginal, restricted and predictable). Now imagine having to sift through all of that to find quality tunes. That is why we will always have respect for any DJ who plays decent Nu Disco or 80's influenced House...that stuff is hard to find!

In light of the above, the music Pat Lok has been dishing out is like dropping silk on one's ass: it's smooth, goes up & down and leaves a smirk on your face at the end of it all.

This Canadian artist is finally starting to rack up an impressive collection of tunes and will be turning heads in the near future. Keep your ears on the ground for Pat Lok...this could just be his year!

Oh, before we forget, our favourite track of his? It's really a toss up between his Bass House influenced dark dub of "The Villars - Signal" and "Same Hearts".

Enjoy the deep fried goodness below. :)




One of our favourite producers is a man of many aliases - three to be exact. Some know him as Eric Prydz, others Pryda and the discerning minimalist purists know him as Cirez D. There is absolutely no disputing the fact that Eric Prydz is one of the greatest electronic producers of his generation. Just like Robert Babicz, he churns out music and also performs marathon sets (consisting solely of his very own production). When he decided to take a young producer under his wings you knew that he saw something special in this new kid on the block, Fehrplay.

Not everyone is lucky enough to have a mentor in their lives. Sometimes you have one but you don't even know it yet. Being a mentor also requires an innate ability to see something special in someone else whilst also seeing a bit of yourself in there as well. Where it gets really tricky and sticky is the creative world. Artists - whether they be musicians/producers, designers or those who bite their ears off whilst under the influence of Absinthe - spend their whole life trying to be different and stand out via their work (usually perpetuated through crazy and attractive personalities or fashion sense) due to the conformities and perceived constraints of 'normal' society. Being a talented artist means sticking out like a sore thumb. You can't help it. It comes naturally but ironically enough you also need to. Your work has to speak for itself. It has to be bold. It has to be brilliant. Suddenly...people start to notice. "Oh my sack!", you think to yourself. "Fuck, I've made it. My shit is hotter than Jeremy Factsman (this guy)!"

For mentors, this is where serendipitous things happen. You're revelling in the afterglow of your self-made success when you spot someone who stirs something inside you. No, it's not that curry you had earlier. Their work (musical taste/creation, etc) is just like yours. Their talent makes you smile. You never smile when another creative rivals you. No, they are not rivalling you. They are mirroring you, without knowing it. It takes big balls (the type caused by excessive nude picnics in Chernobyl) to nurture talent when you know that one day this talent will inevitably blow up.

Fehrplay burst on to the scene after releasing some fantastic imprints on Eric's Pryda Friends label. He has very recently decided to part ways with the label though, to stretch his wings. Despite this you can still hear the strong Pryda-esque sound in his production. It's that beautifully melodic and uplifting Progressive House with its hint of playful and vibrant primary colours and youthful, yet measured, melodies. Fehrplay is also not afraid to go a little bit darker and you can hear his other influences in his mix for Thump below. His production is on a level we haven't heard in a while and he pushes that rare Prog House sound which has been overlooked for a lot of the deeper stuff as of late. The winner track of his for us is "Monte" - one of our new favourites! It oozes more sex appeal than Olivia Wilde in that Tron Legacy outfit. Enjoy the deep fried goodness below!


"Jesus Christ...this gent's tunes are the dog's bollocks."


Every year the chefs at Deep Fried Decks take a look at all the promising producers bringing smiles to one's ears. After much deliberation we compile a list of five producers to watch out for for the rest of the year. This is an extremely subjective matter and can sometimes be a case of hit and miss but we like to think that we get it right the majority of the time. This list (over the last two years) has included the likes of Lane 8, Friend Within and many more.

Over the last year and a bit there has been a resurgence in the melodic, eclectic and soulful side of House. One of our favourite labels, Anjunadeep, has latched on to some very promising producers and the guys there seem to have a seasoned eye for spotting and signing up new talent on a regular basis. One such bundle of talent, Lancelot, comes from a land down under; where the insects are big and the beers are even bigger.

The refreshing thing about Lancelot is the fact that he is a true musician at heart, not touching a pair of CDJs until later in his career. He has notably broken into the scene over the last year or so, with the most recent and notable amount of spotlight coming as a result of his releases on Anjunadeep. Up until then he has had releases on labels such as Nurvous Records (the smooth and emotive "Thinking Of You") and Binary Records. For all those Nu Disco and House heads out there his masterpieces are extremely emotive and funky - akin to his fellow countryman Isaac Tichauer (who, along with Nibc, created an utterly beautiful remix of "Givin' It Up" which will give any seasoned rave head the shivers). Ever wondered why so many DJs have started playing tracks with vocal samples from a Gwen Guthrie classic track from 1986? It's because of this gentlemen. They're remixes of his release, "Ain't Nothin' Goin' on But the Rent (ft. Ngaiire)" on Anjunadeep. He's put the "oooh" back in boogie.

Now on to the deep fried goodness. We've included some of Lancelot's tracks for your aural pleasure. We can confidently put our cocks on a block and say that 2014 and 2015 will see this young talent taking the world by storm, not just following in the footsteps of the likes of Lane 8 but also making bold new paths for other budding producers to follow. Watch out for this one...he's coming in HOT!




We're back! After a long break from blogging the DFD crew are back deep frying everything in sight. While we were away we racked up some awesome content for you, as per usual. The last few months saw us shift our attention towards our events whilst steadily gearing up for Afrikaburn. Afrikaburn is the South African equivalent of Burning Man and it has rapidly grown over a couple of years, attracting over 10 000 people. This year two of the DFD chefs were lucky enough to play at this amazing event. Art Bam and Billy Rivers had the honour of playing to an international audience, at various theme camps, (in the middle of the desert) over the space of a week. We witnessed some of the most beautiful sunsets imaginable to man out there...and naked people, LOTS of naked people!

Speaking of sunsets, there is one very talented producer whose music is perfect for sunsets...and getting naked with your better half. We were lucky enough to catch up with Justin Faust a couple of months ago and pick his brain regarding his latest EP, Disco Cuts. We've been following Justin for a while and his smooth Nu Disco sound. The most refreshing thing about Justin is the fact that he definitely pays homage to the roots of Nu Disco and some of his influences (Ian Pooley, etc) in his latest production. We're big fans of "Elevator" and "Monaco". The latter feels like it could be the background music for a tantalising scene in an Art Deco styled James Bond movie; 007 sipping on a martini at a bar whilst eyeing out (from behind his shades) an absolute belter of a chick with just the right combination of chest airbags and cameltoe stepping out of the ocean. Justin is also an absolute treat to interview and had us in hysterics on a few occasions. The Disco Cuts EP can thus be described in only one way: it is just like Justin Faust; eccentric, well measured, humble and a breath of fresh air.

Listen to Art Bam's interview with him below. We have also included the EP for your aural pleasure below. Enjoy and don't forget...reach for the lazers!

Justin Faust - Deep Fried Decks Interview by Artbam on Mixcloud




As music lovers around the world end the year off with a bang, we'd like to take a step back and reflect upon what has been a very interesting past twelve months. As you may have noticed, the DFD blog spot has taken a back seat for the last few months. We've been super busy growing our online radio show's content, expanding our team, securing a residency at one of Cape Town's favorite House clubs and pushing the boundaries with our underground parties. The most important thing for us is the music. It always will be.

We are firm believers that as a DJ, producer or party promoter a firm respect for music will take you a long way. The best DJs and promoters are not the ones who jump on a bandwagon and satisfy the masses by pumping out only the trendiest music. It's completely understandable to be flexible and play (or host an event which revolves around) a certain sound which may be popular now and not the next year. However…to do so on a constant basis is disrespectful to a scene which needs to feed off individualism and is the reason why DJs who do not produce will never make it. We have observed something which has saddened us over the last year. Allow us to put this into perspective (and deep fry it).

We recently hosted a event (with another brand) which centered around the idea of musical progression across genres. Genres which never before would have even bothered to overlap in one event. We're talking about Nu Disco, Deep House, House, Techno, Prog Tech and Minimal, in that order; starting with a double yacht party, rooftop party and basement party over sixteen hours.

We've been pushing musical progression (and knowledge) in a city at the tip of Africa for a very long time and this is how DFD started. This is not Ibiza (although it is quickly becoming Africa's version of it thanks to the recent visits of acts like Egbert, Max Cooper, Hannah Wants, Mario Basanov and many more). This is Cape Town. The scene is slowly growing but EDM raped it and it is at a very delicate stage where people can finally listen to an act and just say that is, for example, 'House' music playing and be quite into it without having to be a DJ to appreciate it. The last time that happened was at least 12 years ago.

Back to the matter at hand. Too many promoters and DJs have been guilty of being lazy and getting caught in the deep end. It seems that it is a better option to jump on the bandwagon and offer a quick "suck and a f*ck" solution to a packed event or dance floor by just playing Deep House/Tech. Why? Because it's cool. The Pet Shop Boys weren't cool when they first came out (they were a shock to many) but they did to the electronic music scene what pacifiers did to the wellbeing of teen ravers' gums all over the world.

Deep House has been cool for twenty years. It no longer has an identity. All over the city we have seen events where a 15 hour line up consists of acts who only play deep music. Surely if your set as a DJ (over 90 minutes) has to reflect a journey then your line up for an event must do exactly the same. We are living in a world where the average party goer can walk out of your event/set and do some research on what they have heard. Underground parties (which is essentially what our local electronic music scene thrives on) were based upon freedom and new music. The electronic (more specifically House) music scene is at a beautiful precipice now and there is such a plethora of cross-pollination between genres that we cannot do any justice to it by just going deep.

You want people to walk out of your event/set and remember the most important thing - the music. Tease them. Take them on a journey. Make them walk the steps of the BPM building, up and down, and down again; before leaving them on a high. Don't take them too deep…they'll drown.




Hi Cape Cod, thanks for taking the time out to allow the DFD chefs to pick your brain.

Thanks for support, appreciate it! And hello from Kiev.

Firstly, Cape Cod is an awesome name! Tell us how you came up with it. Is there any special meaning behind it?

Cape Cod is one of the quietest places on Earth. Originally it was a project with my friend from St. Petersburg - guitarist of post-metal band Euglena, which had to be something at the junction of the freak-folk and post-rock. You know, I'm a former black metal fan (laughs) (before I played bass guitar in a mathcore\hardcore band +\- (plus\minus), that's why I love to use powerful bass and piano chords due to guitar distortion. It breath more life into my music. Further, this name stuck for collaboration with Stas Shmelevskiy. We planned to do a modern r'n'b project - a cross between SBTRKT, Weeknd, and Craig David. Unfortunately for personal reasons had to freeze it all, even though the material was on the whole EP. This is such a turn of events interconnected I came to what is now.

On to the musical side of things. At what age did you first start producing and what was the reason behind this?

Well, I bought my first bass guitar at age 16. A year or two I worked independently, but then finally decided to go to a music school. Two years later, I dropped it because it became boring to play ethnic motifs and I engaged again in self-education. Video lessons and fulltime sitting at home, trying to create my own kind of technique. I always tried to use the bass guitar as a guitar. It was a fun and exciting time, which I greatly obliged . And production in electronic music I started in 2010 . Long evenings at home, watching a lot of tutorials, trying to understand what I ultimately want .

Were you classically trained as a musician on any instruments?

Yep, bass guitar. I also play on classic guitar and keys. And now learning drums

What software do you produce in and do you incorporate or use any analog elements or live instruments?

I gradually turn on the analog sound, as I initially instrumental musician. To me it is closer, it is possible to feel the instrument. But now I work in Ableton - I like his noisy overtone, does not give the tracks to be licked. And also preparing live program, but so far it's little surprise.

We first heard your stuff a while ago and even then you had a distinct choppy and very old school House sound to your production. Has that always been your sound?

Nope, I came to electronic production inspired by Burial, James Blake, Jamie XX and drag music, because for me it is quite adequate projection of black metal to electronic music. Of course the total number of bedroom artists created anti hype on this. I still love first album of Salem for their experiments with southern hip-hop (which in fact was reflected in my very first produced the track - a remix to Ace Of Base "All That She Wants). And of course I find inspiration in old jazz and soul, that I was fond while being in my first band. So I don't think that the house is the ultimate form of self-expression - just as long as it is the most eclectic of the existing for me.

In regards to your eclectic sound, can you name some of your musical influences?

All music. In my life I listened to everything from muzak to techgrind. I still like the bands like Converge, Poison The Well, Dillinger Escape Plan, Blood Brothers. Also in love with no-wave scene of 80's, Grizzly Bear and Animal Collective, Ray Lamontagne, Admiral Angry, Cult Of Luna, Erik Satie, Rafael Anton Irisarri, George Fitzgerald, Taneli. I'm trying to display all the music that influenced me in the past, it is very important.

Lovely, now we've been lucky enough to have you do a special DFD mix for us. Is it primarily your own production or a mixture of tunes?

Some of my fresh tunes + songs I played and like for this moment of my life. Some sort of house bowl - from raw deep to jacking bass. Tunes from Low Steppa, Dusky, Laszlo Dancehall, Ultra Knites, Fabio Monessi, The Upswing Project.

Can you tell us a bit about your latest release, "Let Me Drown" feat. Austin Paul?

Well, first of all, my latest is It's gonna be pressed as 12" soon with remixes. But about "Let Me Drown" - these track was made soon after remix Ace Of Base, just been postponed shelved for the time being. Only after this tune I wrote We Don't Have To \ Put U Down (which gonna be re-released on Kiev House label 19-th November). So Austin found me on soundcloud and wrote to me that he really liked my sound and he would like me to do a remix for him. So there was a track And after that I asked him to do for the original track. That's how it happened.

Lastly, what has 2013 got in store for Cape Cod?

First of all fresh tunes and debut 12". My collaboration with producer Koloah - three tracks which gonna be published as 12" on Loveless Records (Brooklyn label). Also I'm producing collaboration with my fav guys Cream Soda: And making my new EP and filming debut video. So, alot of thing to do till the end of the year. And the main thing finally get some sleep (laughs).




We recently caught up with Universal Solution - a very talented producer from Manchester. He's just been featured on Anjunadeep 05 (with two of his tracks, "Yukon" and "Osheen") and also has forthcoming releases on the same label. The quality of his production is sublime and sits handsomely in the sweet spot of ambient, warm and mature Prog House.

We were also luck enough to have an exclusive DFD mix from him. The mix consists of his own production and blew us away when we first heard it!

Watch out for Universal Solution as a big name in the near future!

Enough small chat, take a listen to the interview and mix below to spoil your ears!




A year ago we spotted Lane 8 as an artist (who is very close to our hearts) to watch out for. This was when he was just starting out operating under the alias of Lane 8.

We've been lucky enough over the last year to have spotted of the most talented producers before they broke out. This growing list includes the likes of Tom Glass, Matt Fax and Lane 8. In fact, we were Lane 8's first interview and we were just blown away by his talent and humility. The last year or so has seen his rise to stardom - with the release of "Be Mine" on the latest Anjunadeep compilation.

We caught up with Lane 8, on the DFD show on Mutha FM, to chat about his latest production as well as the last year. He also did a little mix (in the background) for us. What a champion.